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Piano accompaniment backing tracks
Frank Bridge wrote his cello sonata between 1913-17. The first movement is richly Romantic, written before the First World War started. The second movement is more troubled and reflects the despair Bridge felt as he wrote it during the early war years.
These piano accompaniment tracks help make practising more effective and enjoyable! They are recorded by a professional accompanist and can help you keep in tune and in time, as you listen to the piano part for this work. Many customers have found them a cost-effective alternative to hiring a pianist in the early stages of learning a new piece, whether that be for an exam, recital, audition or simply for fun! Please scroll down for samples and details of each movement.
Bar 74 (rehearsal mark 9): 3 click-beats in this bar indicate the pulse as piano has a held chordBars 161-164 (before Adagio at rehearsal mark 15): click-beats indicate the start of these bars, and 3 click-beats are used in bar 164 to lead in to the following Adagio.Bars 195-197 (before rehearsal mark 18): crotchet click-beats indicate the pulse where piano has held chord
Massenet: Meditation from 'Thais'
Saint-Saens: The Swan
Rachmaninov: Vocalise Op.34 No.14 in E
Elgar: Salut d'Amour
Faure: Sicilienne, Op.78
Franck: Violin Sonata
Faure: Elegie for Cello
Poulenc: Flute Sonata
Schubert: Arpeggione Sonata D.821
Williams: Theme from 'Schindler's List'
Bruch: Kol Nidrei
Kreisler: Praeludium and Allegro (in style of Pugnani)
Schumann: Fantasiestucke, Op.73
Brahms: Clarinet Sonata No.1