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Piano accompaniment backing tracks
Bartok wrote his first Rhapsody in 1928. It is a substantial work in two movements, the first containing a Hungarian melody against a drone-like accompaniment. Bartok provided two different endings for the second movement, and both are included here. The movement itself is formed from a series of new melodies building towards an accelerando.
These piano accompaniment tracks help make practising more effective and enjoyable! They are recorded by a professional accompanist and can help you keep in tune and in time, as you listen to the piano part for this work. Please scroll down for samples and details of each movement.
Bar 76 (rehearsal mark 12) - click-beats indicate the beats in this bar where violin playsBars 84-90: click-beats help keep the pulse in these bars.
From the 'alternative ending' part at figure 24, crotchet click-beats are used to keep the pulse in various bars where I consider it to be helpful.
Massenet: Meditation from 'Thais'
Saint-Saens: The Swan
Rachmaninov: Vocalise Op.34 No.14 in E
Elgar: Salut d'Amour
Faure: Sicilienne, Op.78
Franck: Violin Sonata
Faure: Elegie for Cello
Poulenc: Flute Sonata
Williams: Theme from 'Schindler's List'
Schubert: Arpeggione Sonata D.821
Schumann: Fantasiestucke, Op.73
Bruch: Kol Nidrei
Kreisler: Praeludium and Allegro (in style of Pugnani)
Brahms: Clarinet Sonata No.1
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