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Piano accompaniment backing tracks
These piano accompaniment tracks help make practising more effective and enjoyable! They are recorded by a professional accompanist and can help you keep in tune and in time, as you listen to the piano part for this work. Many customers have found them a cost-effective alternative to hiring a pianist in the early stages of learning a new piece, whether that be for an exam, recital, audition or simply for fun! Please scroll down for samples and details of each movement.
4 crotchet click-beats indicate pulse before viola entersBars 1-4 accompanied by minim click-beats while piano is silentBars 215-242: CUT in piano part - after bar 214, there are 8 seconds of silence in piano part, followed by 4 crotchet click-beats that lead into bar 242
Bars 112-116: click-beats used to signify pulseBars 192-201: click-beats indicate help to signify pulse through this passage where piano is silent
Note : Accompaniment begins in bar 13 - 2 minim click-beats set the pulse of bar 13, then viola chords played after 3rd and 4th click-beats respectivelyBars 28-30: minim click-beats indicate pulseBars 38-41:crotchet click-beats signify pulse through these 4 barsBars 44 and 45: minim click-beats indicate pulseBars 63-65: crotchet click-beats indicate pulse through these three barsBars 93-114: CUT - at bar 93 there is an 8 second silence in the piano part, then click-beats set pulse for bar 115, viola enters in bar 115 after 5th click-beatBetween bars 139 and 183, further crotchet click-beats are used to keep pulse whenever piano is silent or has long chords
Massenet: Meditation from 'Thais'
Saint-Saens: The Swan
Rachmaninov: Vocalise Op.34 No.14 in E
Elgar: Salut d'Amour
Faure: Sicilienne, Op.78
Franck: Violin Sonata
Faure: Elegie for Cello
Poulenc: Flute Sonata
Schubert: Arpeggione Sonata D.821
Williams: Theme from 'Schindler's List'
Bruch: Kol Nidrei
Schumann: Fantasiestucke, Op.73
Kreisler: Praeludium and Allegro (in style of Pugnani)
Brahms: Clarinet Sonata No.1