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Piano accompaniment backing tracks
Max Bruch composed his Scottish Fantasy for violin and orchestra in 1880. Each of the four movements are based on a Scottish folk melody, with the fourth movement being particularly joyous and universally popular with audiences.
These piano accompaniment tracks help make practising more effective and enjoyable! They are recorded by a professional accompanist and can help you keep in tune and in time, as you listen to the piano part for this work. Please scroll down for samples and details of each movement.
This practice version slows down the quicker sections of the 'performance' track above, by around 15-20%. It is included for free with that version if selected.
4 crotchet click-beats at beginning to set pulse
4 crotchet click-beats at beginning to set pulseBar 187 (Adagio at Figure M): 20 seconds of silence in the piano part before 2 click-beats indicate re-entry of the pianoBar 191 (Allegro): 2 click-beats before piano re-enters at Figure N
Massenet: Meditation from 'Thais'
Saint-Saens: The Swan
Rachmaninov: Vocalise Op.34 No.14 in E
Elgar: Salut d'Amour
Faure: Sicilienne, Op.78
Franck: Violin Sonata
Faure: Elegie for Cello
Poulenc: Flute Sonata
Williams: Theme from 'Schindler's List'
Schubert: Arpeggione Sonata D.821
Schumann: Fantasiestucke, Op.73
Bruch: Kol Nidrei
Kreisler: Praeludium and Allegro (in style of Pugnani)
Brahms: Clarinet (Viola) Sonata No.1
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