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Piano accompaniment backing tracks
Max Bruch composed his Scottish Fantasy for violin and orchestra in 1880. Each of the four movements are based on a Scottish folk melody, with the fourth movement being particularly joyous and universally popular with audiences.
These piano accompaniment tracks help make practising more effective and enjoyable! They are recorded by a professional accompanist and can help you keep in tune and in time, as you listen to the piano part for this work. Many customers have found them a cost-effective alternative to hiring a pianist in the early stages of learning a new piece, whether that be for an exam, recital, audition or simply for fun! Please scroll down for samples and details of each movement.
Note: This practice version is included for free when the movement above is purchased
4 crotchet click-beats at beginning to set pulse
4 crotchet click-beats at beginning to set pulseBar 187 (Adagio at Figure M): 20 seconds of silence in the piano part before 2 click-beats indicate re-entry of the pianoBar 191 (Allegro): 2 click-beats before piano re-enters at Figure N
Massenet: Meditation from 'Thais'
Saint-Saens: The Swan
Rachmaninov: Vocalise Op.34 No.14 in E
Elgar: Salut d'Amour
Faure: Sicilienne, Op.78
Franck: Violin Sonata
Faure: Elegie for Cello
Poulenc: Flute Sonata
Schubert: Arpeggione Sonata D.821
Williams: Theme from 'Schindler's List'
Bruch: Kol Nidrei
Kreisler: Praeludium and Allegro (in style of Pugnani)
Schumann: Fantasiestucke, Op.73
Brahms: Clarinet Sonata No.1